screen |skr_n| |skrin| |skri_n| noun • a blank, typically white or silver surface on which a photographic image is projected : the world's largest movie screen • movies or television; the motion-picture industry : she's a star of the stage as well as the screen. verb [ trans. ] • protect (someone) from something dangerous or unpleasant • evaluate or analyze (something) for its suitability for a particular purpose or application
Wednesday, April 24, 2013
In the Heat of the Night
This great Sidney Poitier thriller won best picture in 1967.
At times it’s old fashioned, and at times it seems more risky and relevant than
most contemporary movies. Rod Steiger nails his shape-shifting redneck police
chief, never revealing where he truly stands on any issue. This movie must have
been a cultural nuclear blast when it came out in the 60’s.
Tuesday, April 23, 2013
Oblivion
First you take a little dash of Moon, throw in a dollop of Total Recall, add a pinch of Demolition Man, a heaping spoonful of 2001: A Space Odyssey, splash in a little Robocop, a dab of Star Wars, and a hint of Independence Day and you have Oblivion. A familiar recipe, neither delicious nor unpleasant, and just a little overdone.
Friday, April 12, 2013
The Big Lebowski
This was a special screening at a new theater and I think they just popped in a blue ray. Alcohol was served, audience participation was encouraged, and it was less like a movie and more like a party. It’s still amazing to me - the movie’s plot doesn’t make a lick of sense!
Saturday, April 06, 2013
Trance
A departure from heady and emotional undertakings like 127
Hours, Slumdog Millioniare, and the London Olympics, Danny Boyle returns to his
origins with this nifty little thriller. It’s Rosario Dawson’s movie, which
unfolds non-linearly over the course of a few love affairs and an art
heist. The familiar dramatic tropes of amnesia and hypnosis are the source of
the disjointed timelines, but Boyle’s gift of style can easily overcome
thriller clichés. The stakes are low, but it’s a fun, fast-paced and well-acted
noir, and a great showcase for Dawson’s A-game.
Friday, April 05, 2013
Evil Dead
What happens when you cut all of the funny stuff out of a
famous, old slasher movie? Answer: you still have a slasher movie, but it's a
bit like nonfat cottage cheese. It's just not as satisfying. Especially since
the filmmakers had Jane Levy as their lead, experienced sitcom ingénue. There
are brief moments of pure, blood-splattered horror hilarity, but they don't
arrive until the very end. And by then you might find yourself asking,
"How many more characters are going to hack off their own arms before this
thing is over?" Here's hoping that the remake of Evil Dead 2 manages to
cut off a few arms without amputating their funny bones.
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