screen |skr_n| |skrin| |skri_n| noun • a blank, typically white or silver surface on which a photographic image is projected : the world's largest movie screen • movies or television; the motion-picture industry : she's a star of the stage as well as the screen. verb [ trans. ] • protect (someone) from something dangerous or unpleasant • evaluate or analyze (something) for its suitability for a particular purpose or application
Saturday, December 06, 2014
Foxcatcher
Creepy. Creep-y. The filmmakers establish the creepy vibe in
the first ten seconds of the movie and it never lets up. Channing Tatum
embodies his desperate athlete with “Rocky Balboa” levels of pathos. You can
sense the train wreck coming when he’s lured into the freaky world of the
ultra-rich by the creepiest of rich creeps, John Du Pont, creepily portrayed by
Steve Carrell. And the exposition of the theme begins in earnest. John Du Pont
is one of those rich dudes who’s so rich that the rules don’t apply to him. He
can revise history. He can call himself the coach of a team. “Don’t forget,”
the film says. “Rich dudes can do whatever they want.” Money buys you power,
even if you’re a creep. And man,
oh man, is he a creep. Unfortunately to the filmmakers, creepy also means slow.
So there are times when you wish that this movie would quit it with the creepy
mood and get to where the rubber meets the road. And it happens eventually,
with adequately creepy results. But pacing is important. Foxcatcher understands
its tone perfectly in the beginning, but squanders its good will earned in the
set up by de-emphasizing the finale. Still, kudos go to all involved for
sticking to their tone and their theme, even if they have to try our patients
to do it.
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