Anna

This is so much like La Femme Nikita and The Professional that it’s practically a sequel. Kudos to Luc Besson for giving the world lots of supermodel assassins. We’re grateful. But there’s not a lot of new ground being broken here. Like Atomic Blonde, what matters here is that the supermodel assassin has the upper hand, and not the corporation. She’s less of a prostitute, I suppose. What we need next is a trained assassin that reluctantly becomes a supermodel.