Ferrari

I was expecting, basically, a sequel to Gucci – an orgia of Italian stereotypes. Except for Penelope Cruz, the acting is a little more subtle here. It’s Michael Mann’s driving scenes that are “turbolento.” Juxtaposed is the family stuff and relationship drama, which actually drives the plot. Although sometimes it feels filmmakers are biding time until the big, flying car crashes, the family dramas actually come full circle and skillfully resolve, which is nice.